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She Sally Wen Mao’s second poetry collection, Oculus takes the reader on a cinematic passage from Hollywood’s second Technicolor film, The Toll of the Sea, to Anna May Wong reimagined, to a teledonics future of “a pornography live / through open / electrodes” [11], to the histories of Orientalism and Occidentalism, to the multi-dimensional meaning of the Chinese and Chinese-American Sally Wen Mao: You describe it perfectly—in the American context, the racialized feminine Asian body is both a spectacle and an absence, coveted and reviled at the same time. The duality of this has always interested me: Asian women’s bodies, and marginalized bodies in general, have always existed at the intersection of attraction and revulsion. 2019-12-18 · “I find that poem for me as a bit of an ars poetica,” Mao says of “Occidentalism.” It’s the “poem that reflects why I write poetry.” Mao has myriad other interests as well. Take, for example, her first book, Mad Honey Symposium (2014), which concerns, among other topics, mad honey. 2019-01-18 · Sally Wen Mao is the author of Oculus, a collection of poems that explores sight and being seen, futuristic worlds and historical figures. She completed this collection during her Cullman Center Fellowship at NYPL in 2016-2017. Sally Wen Mao reads from her new book of poetry "Oculus" at Buffalo Street Books in Ithaca, NY on May 2, 2019.

Occidentalism sally wen mao

Surname 1 First Name, Last Name Professor’s Name Course Name Date Analysis of Occidentalism Poem by Sally Wen Mao In an attempt to come to grip with the process of civilization and globalization, Sally Wen Sally Wen Mao: Yes, great. Yes. I will read that poem, “Occidentalism.”. A man celebrates erstwhile conquests, his book locked in a silo, still in print. I scribble, make Sharpie lines, deface. its text like it defaces me. Outside, grain.

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Recorded by Sally Wen Mao for Poem-a-Day, a series produced by the Academy of American Poets. Published on October 31, 2019. www.poets.org Sally Wen Mao is the author of Mad Honey Symposium (Alice James Books, 2014) and Oculus, forthcoming from Graywolf Press in 2019.

Modesto, California - Personeriasm 209-324 Phone Numbers

2019-12-18 · “I find that poem for me as a bit of an ars poetica,” Mao says of “Occidentalism.” It’s the “poem that reflects why I write poetry.” Mao has myriad other interests as well. Take, for example, her first book, Mad Honey Symposium (2014), which concerns, among other topics, mad honey.

The word Oculus is Latin for “eye.”. It can also refer to the lens of a camera, and architecturally, it’s a circular window or a circular opening at the top of a dome. Sally Wen Mao uses these multiplicities of meanings, as she examines the violence of spectacle. SALLY WEN MAO | OCCIDENTALISM A man celebrates erstwhile conquests, his book locked in a silo, still in print.
Robyn melodifestivalen 2021

Book talk and reading with Sally Wen Mao. Friday, February 28, 2020 - 4:30pm.

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Modesto, California - Personeriasm 209-324 Phone Numbers

It was not until I read Oculus (Graywolf Press), Sally’s luminous second book of poems, that I realized how much our interests intersect. Indeed, both of our new books (mine a scholarly monograph that attempts to theorize the synthetic personhood of “yellow female ornamentality”) are Sally Wen Mao is the author of Oculus, a collection of poems that explores sight and being seen, futuristic worlds and historical figures. She completed this collection during her Cullman Center Fellowship at NYPL in 2016-2017. Sally Wen Mao is the author of two books of poems, Mad Honey Symposium (Alice James Books, 2014) and Oculus (Graywolf Press, 2019). According to the biography on the back of her first book, she was Poet Sally Wen Mao reads from her work at Buffalo Street Books, Ithaca, NY on November 5, 2016. Introduction by Lesley Williamson, Executive Director, Salton